‘a work quickly creates its own relations, its own logic; a propagation of possibilities multiplying itself into being’. The new works appear almost cartographic, surfaces across which structures and visual forms ‘migrate’. ‘The process of making the work is like the generation of a multi-dimensional map evolving through time. As a work grows, hamlets or satellite towns on the outskirts gradually become subsumed. The fabric of the painting slowly reveals these settlements, and their importance in the work may grow or dissipate into nothingness.’